Indira with Red Hair. Mounted on aluminum/plexiglass
Efren Isaza
Photography - 146.1 x 114.3 x 0.3 cm Photography - 57.5 x 45 x 0.1 inch
$7,000
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Black Girl in Origami Dress with Rooste II, Framed,
2010
Efren Isaza
Painting : acrylic, ink, Fine art paper, mixed media
111.8 x 182.9 x 2.5 cm 44 x 72 x 1 inch
$15,000
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
111.8 x 182.9 x 2.5 cm 44 x 72 x 1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: United States
Intervened by the artist: Archival pigment print on canvas
Signed, titled, dated, and annotated by the artist on verso.
This of one of a kind intervened artwork produced in 2009 and 2010 marks Isaza's artistic shift from traditional fashion photography into fine art. It was at this time that Isaza began to explore beyond the camera lens through the process of applying physical interventions to his printed images - using paint, crayon, tape, graphite, and other unconventional materials. This process gave him an avenue to explore photography to a larger developed scale, giving space for his female subjects to be depicted with more of a sense of grandeur.
This mesmerizing artwork immerses viewers in a dynamic interplay between human form and abstract geometric shapes. Dominated by a monochromatic palette, the piece features a central figure enveloped in swirling, sculptural attire that seamlessly merges with angular elements. The three-dimensionality is emphasized by the intricate folds and layers resembling paper, highlighting both fragility and strength. The background showcases an array of splatters and textures, enhancing the sense of motion and spontaneity. The juxtaposition of smooth curves against sharp lines creates a captivating tension, drawing attention to the figure’s grace and poise. This composition uniquely bridges fashion and avant-garde art, offering a compelling exploration of balance and contrast.
About the seller
The Art Design Project - Art Gallery • United States
Artsper seller since 2019
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Presentation
Efren Isaza, one of Colombia’s most influential fashion photographers, initially studied fashion design. He united his interest in fashion with one of his earliest passions: photography. Graceful female figures lounge in fashionable poses. Paper costumes that seem borrowed from Oskar Schlemmer’s triadic ballet make the ballerinas look like marionettes.
Their dislocation recalls the puppets Hans Bellmer featured in his surreal photographic experiments. Frida Kahlo’s face with her dark, furrowed eyebrows, peers at the viewer out of different scenes; her hair is knotted artfully on her head.
The allusions evoked in the imaginative creations of Colombian Fashion photographer Isaza are diverse: he cites and alienates an arsenal of styles before melding them into new compositions OF ONE OF A KIND LIMITED EDITION ARTWORK. It might be a certain scene, a poem, a petal of a flower, or the idea of a person that inspires a new work. His passion for breaking the boundaries of traditional fashion photography is palpable in each of Isaza’s unique works. He is less concerned with fashion than the image, the play of contrasts and the magic and the emotions sometimes saturnine, sometimes buoyant, sometimes surreal, and yet always beguiling that the image transports.
Read more
Their dislocation recalls the puppets Hans Bellmer featured in his surreal photographic experiments. Frida Kahlo’s face with her dark, furrowed eyebrows, peers at the viewer out of different scenes; her hair is knotted artfully on her head.
The allusions evoked in the imaginative creations of Colombian Fashion photographer Isaza are diverse: he cites and alienates an arsenal of styles before melding them into new compositions OF ONE OF A KIND LIMITED EDITION ARTWORK. It might be a certain scene, a poem, a petal of a flower, or the idea of a person that inspires a new work. His passion for breaking the boundaries of traditional fashion photography is palpable in each of Isaza’s unique works. He is less concerned with fashion than the image, the play of contrasts and the magic and the emotions sometimes saturnine, sometimes buoyant, sometimes surreal, and yet always beguiling that the image transports.
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