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Constellation III (Por Alberti, por l'Espana),
1975
Joan Miró
Print : etching
90 x 66 x 0.2 cm 35.4 x 26 x 0.1 inch
$21,422
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About the artwork
Type
Numbered and limited to 90 copies
1 copy available
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
90 x 66 x 0.2 cm 35.4 x 26 x 0.1 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Italy
"Constellation III" (Por Alberti, por l'Espana) is an original hand-signed and numbered etching realized by Joan Miró in 1975. Beautiful signature on the lower right margin. Numbered on the lower left. This is an edition of 90 specimens (no. 42/90). Printed on Fabriano paper, realized by M2M in 1975. Ref.: Joan Miró. Les Livres Illustrés, Patrick Cramer Editeur 1989, n.195.
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Presentation
Joan Miró (1893–1983) was a revolutionary Catalan painter, sculptor, and ceramicist whose bold, surreal, and symbolic style redefined 20th-century art. Born in Barcelona, he developed a unique artistic language that blended abstract forms, vibrant colors, and dreamlike imagery. His work, spanning painting, sculpture, engraving, and ceramics, continues to inspire contemporary artists and collectors worldwide.
From an early age, Miró was immersed in creativity. His father, a jeweler, and his mother, a cabinetmaker, introduced him to the world of craftsmanship. Initially pushed toward a business career, he studied commerce before abandoning it to pursue his true passion—art. By 1912, he was fully dedicated to painting, training at the Llotja Fine Arts School and later at the Galli Academy in Barcelona. Influenced by Fauvism, Cubism, and Expressionism, Miró’s early works reflected these modern movements while maintaining a strong connection to his Catalan roots.
In 1919, Miró moved to Paris, where he became a key figure in the avant-garde scene. He connected with leading Surrealist artists and poets, including André Breton, Paul Éluard, and Tristan Tzara, and developed his distinctive style—rejecting conventional techniques in favor of spontaneity and abstraction. His breakthrough came in 1925 with the "Surrealist Painting" exhibition at Galerie Pierre, where he unveiled Carnaval d’Arlequin, a masterpiece of vibrant, surreal symbolism. That same year, he created The Birth of the World, a landmark work that merged his Catalan heritage with his Parisian influences.
Though deeply associated with Surrealism, Miró sought total artistic freedom. By the late 1920s, as political tensions grew within the movement, he distanced himself to explore new techniques. Throughout the 1930s and beyond, he experimented with collage, monumental sculpture, and ceramics, continuously pushing artistic boundaries. His large-scale murals, such as those created for UNESCO’s headquarters in 1958, and his celebrated Blue I, II, III triptych (1961) cemented his status as a modern master.
Today, Joan Miró’s legacy endures through his influence on abstract expressionism and contemporary art. His works are housed in major institutions worldwide, including the Fundació Joan Miró in Barcelona, MoMA in New York, and the Tate Modern in London. Collectors and art lovers continue to admire his pioneering vision, making him one of the most celebrated and influential artists of the 20th century.
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