
La Madonne du Panier,
2024
Marie-France Gely
Painting : acrylic, ink, collage
100 x 81 x 2.5 cm 39.4 x 31.9 x 1 inch
Second NOT DISPLAYED BLUR TEXT
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About the artwork
Type
Unique work
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
100 x 81 x 2.5 cm 39.4 x 31.9 x 1 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This captivating artwork is distinguished by its bold fusion of abstract colors and shapes, creating a composition that is both dynamic and intriguing. Dominated by shades of blue, red, and yellow, it evokes remarkable emotional depth and visual intensity. The blue background serves as a calming backdrop, allowing the red and yellow tones to stand out and capture attention. In the center of the canvas, a vaguely human figure emerges, its blurred outline suggesting movement, as if it were in transition between different states. The black strokes, vigorous and expressive, add a graphic dimension, contrasting with the softer flat colors. This combination creates a striking contrast that draws the eye and engages the viewer to explore every detail. To the right of the composition, a yellow circular shape with black accents could evoke a guitar or musical instrument, adding a sonic dimension to the pictorial scene. On the left, a series of black vertical marks could recall musical notes or cryptic symbols, inviting a personal and open interpretation. The painting reveals a richness of textures obtained by a technique of superposition, giving depth and dynamism to the work. The artist masters the art of abstraction by guiding the eye through a dance of colors and shapes, while leaving room for the viewer's imagination. This work is a striking example of Abstract Expressionism, captivating by its ability to evoke emotions through color and form.
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Presentation
I want to express the tensions and contradictions that inhabit us. My belonging to art is a way of giving voice to emotions and thoughts that would otherwise remain unexpressed.
Contact with matterContact with matter is essential to me, it allows me to connect with the work in progress. Each brushstroke is a gesture, a silent conversation with the canvas where matter and spirit meet.
Thought and gestureMy painting is a reflection on our place in the world. Each work is an attempt to capture the complexities of human existence, the wounds of our society and the process of destruction and recomposition that define us. In painting I seek to understand how our individual experiences shape our identity.
My thought triggers the gesture, precedes it, it is a way of giving form to abstract concepts, each work begins with emotion or a question.
Destruction and recompositionThe process of breaking down to reassemble in a new reality brings me closer to a metaphor of human life. Tears are the essentials of this dynamic. With my collages I seek to transform, to rebuild, to show that even in the most complex moments, it is possible to find a glimmer of hope to return to unity. Human beings have this capacity.
ConclusionMy art is a quest for meaning, the exploration of a dialogue with the world, listening to individual experiences where the work of my cut-out, glued, re-glued, mixed papers allows us to return to unity.
Each fragment or touch of paint is an essential piece towards a coherent whole.
I want to denounce the fragmentation of the human being by the excesses of our societies, the omnipresence of information and the assaults of remote-controlled stupefaction.
In short, my artistic approach is a personal and collective odyssey, an attempt to create a bridge between the inside and the outside, between oneself and the world.
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